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โทร. 081-8842022
YAMAHA 01V96i มิกเซอร์ดิจิตอล 16-Channel Digital Mixer with USB 2.0
The 01V96i Multi-Track Digital Mixing Console with USB 2.0 from Yamaha takes the popular 01V96 design and makes it even better, adding a USB 2.0 connection so you can use the mixer as easily on the road as you can in the studio. This compact mixer features studio-quality amps and internal processing that supports 24-bit/96kHz AD/DA conversion so that no detail is lost in the digital representation of your audio.
The mixer offers 40 input/20 bus mixing, and has a wealth of inputs and outputs for use with a huge variety of sound devices and systems. In addition to supporting connection to your Mac or PC for use with a DAW, the USB 2.0 port also delivers 2-way MIDI communication so you can combine the precise control offered by the mixer with the capabilities of your DAW software. A Cascade Link is available that lets you connect 2 mixers together, giving you up to 80 channels of mixing capability with a single connection.
The 01V96i has a full suite of Yamaha’s VCM effects, including a channel strip, master strip, and vintage stomp, plus high-resolution REV-X reverbs so you can shape your sound in a variety of ways. The mixer has the 01V96i Editor software package, which gives you full control of the console via your computer. Steinberg Cubase AI software is also included that turns your Mac or PC into the ultimate machine for composing, recording, editing, and mixin
Features:
- 40-channel digital mixer with 12 high-performance mic preamps
- 16 channels of bi-directional USB audio streaming
- Up to 40-channel simultaneous mixing
- Expandable with ADAT, AES/EBU, TDIF, or analog Mini-YGDAI cards
- Built-in ADAT I/O
- 01V96i Editor software lets you make settings for the 01V96i console from your computer
- Surround panning capability
- Balanced stereo main and monitor outputs plus 2-channel coax digital I/O
- Word clock I/O, MIDI I/O
- Integrated DAW control (bundled with Steinberg’s Cubase AI)
Specifications
| Channels | Mixing: 32 mono, 4 stereo Group: 8 Aux: 8 Main: Stereo |
| Functions | Input: Gate, attenuator, 4-band PEQ, 2 compressors, delay, pan Output: Attenuator, 4-band PEQ, compressor, delay |
| Number of Processors | 4 x SPC multi effects processors |
| AD/DA Conversion | 24-bit, 128x over sampling |
| Phantom Power | +48VDC, On/off per 4 channels |
| Mic/Line Input | Mic: 12 Line: 2 x stereo, 2 x 2-track |
| Line Output | Stereo, monitor, 4 x Omni |
| Digital I/O | ADAT (8 in, 8 out), 2-track in/out |
| Expansion | Mini-YGDAI (16 in, 16 out) |
| Control | USB to host, MIDI word clock I/O |
| Processing | 32-bit (58-bit accumulator) |
| Sampling Frequencies | Internal: 44.1, 48, 88.2, 96 kHz External: 44.1/88.2 kHz (-10%), 48/96 kHz (+6%) |
| Signal Delay | < 1.6 ms (channel input to stereo out @ 48 kHz) < 0.8 ms (channel input to stereo out @ 96 kHz) |
| Total Harmonic Distortion | < 0.05% (channel input to stereo out, 20 Hz to 20 kHz @ +14 dBu into 600 ohms, 48 kHz) < 0.01% (channel input to stereo out, 1kHz @ +24 dBu into 600 ohms, 48 kHz) < 0.05% (20 Hz to 40 kHz @ +14 dBu into 600 ohms, 96 kHz) < 0.01% (1kHz @ +24 dBu into 600 ohms, 96 kHz) |
| Frequency Response | 20 Hz – 20 kHz (+4 dBu into 600 ohms, 0.5-1.5 dB, 48 kHz) 20 Hz – 40 kHz (+4 dBu into 600 ohms, 0.5-1.5 dB, 96 kHz) |
| Dynamic Range | 110 dB (typical, DA converter, stereo out) 105 dB (typical, AD+DA, stereo out @ 48 kHz) 105 dB (typical, AD+DA, stereo out @ 96 kHz) |
| EIN | -128 dBu |
| Residual Output Noise | -86 dBu (stereo out off) -86 dBu (90 dB S/N, stereo fader at nominal level and all channel input faders at minimum level) -64 dBu (68 dB S/N, stereo fader at nominal level and 1 channel input fader at nominal level) |
| Crosstalk | -80 dB, adjacent channels, input to output |
| Faders | 17 x 100 mm motorized faders |
| Connectors | Inputs 1-12: 3-pin balanced XLR and 1/4″ TRS phone Inputs 13-16: Balanced 1/4″ TRS phone Inserts 1-12 In: Unbalanced 1/4″ TRS phone 2-Track In: Unbalanced RCA (L/R) Stereo Out: 3-pin balanced XLR Omni Out: Balanced 1/4″ TRS phone Monitor Out: Balanced 1/4″ TRS phone Inserts 1-12 Out: Unbalanced 1/4″ TRS phone 2-Track Out: Unbalanced RCA (L/R) Phones: 1/4″ Stereo phone, unbalanced 2-Track Digital In: RCA coaxial ADAT In: Optical 2-Track Digital Out: RCA coaxial ADAT Out: Optical |
| Pad | 0, 20 (Ch. input 1-12) |
| Input Gain | Ch 1-12: -60, -16 dB Ch 13-16: -26, +4 dB |
| Input Impedance | Ch 1-12: 3k ohms load, 50-600 ohms mic nominal, 600 ohms line nominal Ch 13-16: 10k ohms load, 600 ohms line nominal Insert 1-12 In: 10k ohms load, 600 ohms line nominal 2-Track In: 10k ohms load, 600 ohms line nominal |
| Input Sensitivity | Ch 1-12: -70, -26, -6 dBu Ch 13-16: -36, -6 dBu Insert 1-12 In: -12 dBu 2-Track In: -10 dBV |
| Input Level | Ch 1-12-: -60, -16, +4 dBu nominal, -40, +4, +24 dBu max Ch 13-16: -26, +4 dBu nominal, -6, +24 dBu max Insert 1-12 In: -2 dBu nominal, +18 dBu max 2-Track In: -10 dBV nominal, +10 dBV max |
| Output Impedance | Stereo: 75 ohms source, 600 ohms line nominal Omni: 150 ohms source, 10k ohms line nominal Monitor: 150 ohms source, 10k ohms line nominal Insert 1-12 Out: 600 ohms source, 10k ohms line nominal 2-Track: 600 ohms source, 10k ohms line nominal Phones: 100 ohms source, 8-40 ohms line nominal |
| Output Level | Stereo: +4 dBu nominal, +24 dBu max Omni: +4 dBu nominal, +24 dBu max Monitor: +4 dBu nominal, +24 dBu max Insert 1-12 Out: -2 dBu nominal, +18 dBu max 2-Track: -10 dBV nominal, +10 dBV max Phones: 4-12 mW nominal, 25-75 mW max |
| Digital Audio Format | 2 Track I/O: IEC-60958, 24-bit, 0.5 Vpp/75 ohms ADAT I/O: ADAT, 24-bit |
| USB | USB 2.0 type-B (24-bit, 0-3.3 V, audio and host) |
| MIDI | 5-pin DIN connectors for in, out, and thru |
| Word Clock | BNC in and out connectors (TTL/75 ohms) |
| Power Requirements | 100, 120, 220-240 VAC, 50/60 Hz |
| Power Consumption | 90 W |
| Dimensions (WxHxD) | 17.1 x 5.9 x 21.6″ (436 x 148 x 548 mm) |
| Weight | 30.86 lbs (14 kg) |
